Les musiques sont venues pour la plupart tr\u00e8s vite, en lisant le texte, de la m\u00e9lodie interne \u00e0 la langue a surgi celle qui donnait l’\u00e9lan \u00e0 la chanson. En tirant ces premi\u00e8res notes, j’esp\u00e8re plus comme une guirlande que comme une chasse d’eau, est venu le reste. Ici, \u00ab Les orages \u00bb, chanson sur la persistance de l’amour, est simplement r\u00e9alis\u00e9e (par manque de violoncelle et hautbois), elle est associ\u00e9e \u00e0 un titre qui m’imposait plus d’instruments pour traduire son caract\u00e8re joyeusement m\u00e9lancolique (j’ai essay\u00e9), et un ch\u0153ur de gars l\u00e9g\u00e8rement avin\u00e9s (je me suis arr\u00eat\u00e9 \u00e0 deux).
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I came up with most of the music quite fast, while reading the lyrics – the melody inherent to the words brought about that which set the song off. From these first few notes the rest developed naturally. \u00ab Les orages \u00bb (\u00ab The Storms \u00bb) – a song about the persistence of love – is arranged in a basic manner – by lack of a cello and a oboe. It is paired with another track which I had to realize with more instruments in order to demonstrate its wistful joy – I tried – and backing vocals by a bunch of slightly intoxicated guy – I actually made do with only a couple of them. <\/p>\n\n\n\n